Pause
Full screen

Productions whilst at RADA

  • Lighting Programmer
    Yerma directed by Sarah Esdaile
  • Associate Lighting Designer
    House of Ife directed by Beru Tessema
  • Production Electrician
    Graduate Tree 2024 directed by Nona Shepphard
  • Production Electrician
    Shook directed by Gari Jones
  • Lighting Programmer
    The Sewing Group directed by Joan Oliver
  • Production Electrician
    Angels in America Part One: Millennium Approaches directed by Roger Haines
  • Chief Electrician
    Light Falls directed by Dadiow Lin
  • Chief Electrician
    Love and Information directed by Tim Hoare
  • Chief Electrician
    Sticks and Stones directed by Diyan Zora
  • Production Electrician / Lighting Crew
    Romeo and Juliet (Shakespeare for Young Audiences) directed by Darren Raymond
  • Production Electrician / Lighting Crew
    The Comedy of Errors (Shakespeare for Young Audiences) directed by Majid Mehdizadeh-Valoujerdy
  • Production Electrician / Lighting Crew
    Pericles (Shakespeare for Young Audiences) directed by Rachel Bagshaw
  • Lighting Crew
    The Cherry Orchard directed by Ebenezer Bamgboye
  • Lighting Crew
    Gaslight directed by Gari Jones
  • Fly Operator / Sound Crew / Stage Crew
    Company directed by Nona Shepphard
  • Sound Crew / Stage Crew
    Waiting for Godot directed by Joan Oliver
  • Scenery Builder
    The Motherf**ker with the Hat directed by Dadiow Lin
  • Scenery Builder
    Wild Cherries directed by Kristine Landon-Smith
  • Scenery Builder
    The Bureau (escape room) directed by Daberechi Ukoha-Kalu
  • Dresser / Scenic Art Assistant
    Gloria directed by Georgia Green
  • ASM2
    Lab Works 2
  • ASM2
    Lab Works 1
  • Props Assistant
    Twelfth Night (Shakespeare for Young Audiences) directed by Anna Marsland
  • Props Assistant
    The Tempest (Shakespeare for Young Audiences) directed by Cressida Brown
  • Camera Operator / Lighting Crew
    Vincent in Brixton directed by Jatinder Verma
  • Camera Operator / Lighting Crew
    The Effect directed by Gari Jones